DVDs

Menu – Test

DVD-Menu

Narrating Enterprise with Plymouth University - Harry Bennett (Amended short version 18/08/2011)

CHANGES:
This is the short version ending on: "...leads to increased employment, leads to a revival of those wooden boat building skills, leads to jobs and leads to prosperity."

Narrating Enterprise with Plymouth University - Robert Brown (Amended 18/08/2011)

Narrating Enterprise with Plymouth University - John Matthias (Amended 18/08/2011)

Narrating Enterprise with Plymouth University - David Coslett (Amended 18/08/2011)

Narrating Enterprise with Plymouth University - David Chandler (Amended 18/08/2011)

Narrating Enterprise with Plymouth University - Eduardo Miranda (Amended 18/08/2011)

CHANGES:
Sound Levels adjustments
Mind Pieces credits included

Narrating Enterprise with Plymouth University - Harry Bennett (Amended 18/08/2011)

CHANGES:
Harry statements have been swapped.
Instead of "...because you then begin to learn through that very practical experience, the kind of stuff that isn't in the original documents, the very practical stuff." we have: "...so it's a kind of win-win, history sort of helping the future (...) to enable it to rebuild it as professionally as possible." in the end.

Narrating Enterprise with Plymouth University - Roy Tam (Amended 18/08/2011)

CHANGES:
Intro: no sound

Narrating Enterprise with Plymouth University - Alexis Kirke (Amended 18/08/2011)

CHANGES:
Intro: no sound
Cloud chamber credits: “Contemporary Music Festival 2011” -> “Peninsula Arts Contemporary Music Festival 2011.
Typeface cloud chamber credits: Courir -> Din Mittelschrift

Packaging 2

Here a better idea for the packaging... (Open version and closed version) think the one with the flap (version 2.2) is too fiddly, where the other version (2.1) is more practical, but doesn't protect all of the dvd (shouldn't be a problem though). In the first version (no flap) the dvd will not fall out and it's easy to take it out and put it back in.

Open publication - Free publishing - More enterprise

Intro

Here a very simple idea for the "Intro"

Amended Credit sequence

Narrating Enterprise with Plymouth University - Alexis Kirke

End Credits

End credits content

Conceived and Produced by:

The Bridge Creative Agency

Filmed and Edited by:
‘The Swiss Quartet’:
 Jon Wirthner, 
Joel Kuhn, 
Christoph Jehle

Directed by:
The Bridge Creative Agency & The Swiss Quartet

Design by:

Phillip Condrau



With special thanks to:


Colin Searls

Eleanor Butland
Prof. David Coslett
Plymouth University
Millbrook Dockyard

Robin Manford, Tatjaana Morton and all at the Media Hub

Peninsula Arts Gallery

David Strang

And all of the contributors:

John Matthias
Harry Bennett
Robert Brown
Roy Tam
David Chandler
Alexis Kirke
Eduardo Miranda


then appears:

This project has been supported by Knowledge Escalator South West Enterprise Champions funding [this sentence 'goes with' the two logos below]

EU logo

RD logo

NEW Plymouth University logo

TBCA logo

All the materials that are included in these films are subject to copyright.
Permission needs to be sought from The Bridge Creative Agency for use of the contents.
© Plymouth University 2011

DVD-Packaging idea

Open publication - Free publishing - More dvd

Narrating Enterprise with Plymouth University - Harry Bennett

Narrating Enterprise with Plymouth University - Roy Tam

Graphic Elements – INTRO – CREDITS

Open publication - Free publishing - More elements

Use of graphics for packaging

Just an idea for the the DVD and the case (thinking card slip case maybe, then in poly sleeve with closing lip so DVD can't fall out. Chris - can you muse over the options that your suggested company can provide?) The DVD looks better without the lettering but I'm supposing it would make sense to stipulate the contents. Colin/Eleanor may feed back on this point - any other directions of things that need to be on there? General comments please. Looks maybe a little too much like an music album cover but hey, they're academic pop stars after all..

Credits

PhotoIreland Festival 2011 Teaser from PhotoIreland on Vimeo.

Just watched this little film and noticed the credits were simple and too quick but still did the job they needed to do. Using different faces and sizes is not something I think we need to worry about, but the simplicity and fade in pace are quite apt I though.

–

NOTE: Discussed the 'crediting' with Colin (as in cloud chamber and John's film) and he thinks having rolling credits is enough at the end. So it's a stylistic and informative choice - do we think it adds something visually to the look of the films and does it help the viewer to understand what they are watching?

2 Hours Editing in Grindelwald

Post Production

Editing in Grindelwald

This is the kind of space The Bridge would like please. Traditional office spaces are so 2010..

Bikes. Films. What's not to like?

Another nice 3 min film to inspire, and another fine project to boot.

Shooting the Intro

Nice Type videos

Nice channel of typographic motion videos. Food for thought when considering the titles of the film.

http://vimeo.com/channels/nicetype

Cut-away footage adventures

Stills from the Cutaway footage sessions: John Matthias, Alexis Kirke, David Chandler, Roy Tam.
CREW: JON, JOEL, CHRISTOPH, DAN, STEVE

Shooting impressions

1st May
Converting footage: Harry Bennett, Alexis Kirke, Eduardo Miranda, John Matthias
Syncing sound and rough selection of the interviews
TEAM: CHRISTOPH, JOËL
5 hours

7th May
Selection interview bits (cut down to 3min each)
TEAM: CHRISTOPH, JOËL
4 hours

9th May
Cut away footage: Harry Bennett, Eduardo Miranda
(Eduardo in his office, Harry Bennett at the boat yard)
TEAM: CHRISTOPH, JOËL, DAN, PHILIPP
8 hours

Studio set-up for the next interview block
TEAM: CHRISTOPH, JOËL, JON
2 hours

10th May
Studio block interviews: Bob Brown, David Chandler, Roy Tam
TEAM: CHRISTOPH, JOËL, JON, DAN, STEVE
10 hours

NARRATING ENTERPRISE now in 360°

Andy Banks was happy to give us the 360° image he made in the studio during our shooting on the 28th of april.

Final studio look

Crew: Christoph, Joël, Jon
Setup: 4.5h

Equipment list for the interviews in the studio

VIDEO
2x Canon EOS 5D Mark II with standard lenses and batteries
2x 16GB CF Memory Card
1x Canon ACK-E6 Mains Adapter
1x Manfrotto video tripod
1x Manfrotto stills tripod
1x Card reader
1x Canon EF 50 mm f/1.8 II Lens
1x Lens adapter Ring
1x 3.5mm Jack to 3 RCA Audio/Video Cable (5D to TV)

SOUND
1x Tascam Recorder
2x 2GB SD Card
1x Sennheiser boom mic
1x Mic Holder (Pistol-grip)
1x Boom Mic Stand
1x Xlr cable
1x Radio Mic kit
1x Headphones
1x 3.5mm Stereo Mini Jack to Jack Plug
20x AA Batteries

LIGHT
1x Projector (noise-reduced)
1x Mini DisplayPort to VGA Adapter

OTHER
1x 30m Metre Extension Cable Reel
2x Plugbar
1x Makeup, Baby Powder
1x Gaffer tape
Tools (Screwdrivers etc.)

Clothing requirements for the contributors

Please do not wear shirts with:
- Fine patterns
- Neon colours
- Fully black
- Fully white
- Bold Red
- Reflecting cloths

selection: interview background scenery

Test shoot in the studio 20th of April.

Studio test shoot 20th of April

Crew: Chris, Jon, Joël

Test shoot 13th of April

Crew: Joel, Chris, John, Phillip, Steven, Dan

Graphic Intro – Test 1-3

First (3 variations) experiments for the graphic frame of the film(s).

Crew: Philipp: 4h

Temujin Doran

The Tweed Run from Studiocanoe on Vimeo.

When we were discussing Jane's work and moving footage of her still photographs, it put me in mind of my friends Tem's work. His use of 'stills' or static camera shots in his films is something that I've always liked. As a photographer, that's not surprising and it might not be suitable for this project. But worth bearing in mind the power and potential suitability of the still.

Stand in :)

Enterprise Testvideo

Filmed: 13th of April
Interview setup: 1.5h
Interview: 1h
Cut away shots: 1.5h
Rough edit: 4h

Crew: Joel, Chris, John, Phillip, Steven, Dan

Note: watch for the change of the colour as the film starts again the second time. Chris, it definitely looks better after the work you've done with the colour profiles - SB

Not the talk itself
Interesting graphic elements as introduction to all the talks of the 99% conference.

Heima

And lets not forget Heima, beautifully shot. Link to the trailer here

Everynone

Some more nice short films at Everynone

The Robin Film

Go here.

Grain & Gram

Grain & Gram is an online journal documenting individual tradesmen. Some lovely cinematography, quietly bringing out the essence of their work.

www.grainandgram.com